Work
This is a select portfolio of my work to date, arranged in three categories: Documentary, Commercial, and Miscellany.
This is a select portfolio of my work to date, arranged in three categories: Documentary, Commercial, and Miscellany.
A three-part series of videos for Chewonki‘s Semester School program in Wiscasset, Maine, highlighting three important components of the program, Community, Hands-On Learning, and Sense of Place. Produced in collaboration with Bridget Besaw.
A series of seven videos for Williams College representing their top fundraising priorities, including Financial Aid, Community Engagement, and Student Research. Produced in collaboration with Bridget Besaw.
Photographer Gregg Bleakney took a two year bike trip from Alaska to Argentina, and throughout the trip, relied on just two pairs of ExOfficio underwear. Two years, two pairs! I edited this one-minute product spot for the travel and outdoor clothing brand ExOfficio, via the Portland-based agency Aurora Novus. View here, or on the Aurora Novus website, or on the ExOfficio (X-O-FISH-E-O) website.
I created this video with environmental photographer (and my frequent collaborator) Bridget Besaw on the proposed large-scale dam project in Chile’s southern Patagonia region. Bridget fell in love with the region through traveling in and photographing the wild, largely untouched landscape, something I also experienced when I traveled to Patagonia in December 2010, and again in March 2011. Bridget speaks about what’s at stake environmentally and culturally if this dam project moves forward, despite widespread opposition among Chileans.
I interviewed Bridget about her relationship to this story and edited the piece. Since it’s debut on the Patagonia website in November, 2011, the video has received over 40,000 hits.
The Community Spay-Neuter Clinic in Freeport, Maine offers subsidized spaying and neutering for cats and dogs throughout Maine. Since their opening last year, the clinic has spayed and neutered an impressive number of animals—nearly three thousand. The clinic, along with The Center for Wildlife Health Research asked me to create a series of PSAs to highlight the clinic’s work, and to increase public awareness about domestic cats’ impact on birds and wildlife. I produced, shot, and edited this series. Watch the videos here, or on the clinic’s website.
I recently traveled to Chile as part of my collaboration with Bridget Besaw, in December 2010, and then again in March of of 2011. Along the way, we gathered the materials for a couple of multimedia pieces that showcase two of Chile’s finest features: its pristine natural landscape and its wine. The first stars Isla Jechica, a marine/eco-tourism project in the heart of the remote Guaitecas Archipelago, in Chile’s Patagonia region. We spent several days there documenting the island and learning about the project. The second is about the Cousiño Macul winery, Chile’s oldest winery, located in the hills just outside of Santiago.
Bates College, in Lewiston, Maine, had a string of important events this spring, on campus and around the country, and chose videos to be a focal point of the events: the videos provided a break from socializing and speakers at the podium, and a time for the audience sit back and watch and listen to different voices from the Bates community that they may not otherwise have had access or exposure to. The videos now live on online, and are being used by the college in online publications and newsletters, and on the website.



The first video of the series was for the college’s Mount David Society events, held across the country from Maine to Chicago, New York to Washington D.C. The Mount David Society is an organization for Bates College’s top donors, whose contributions go directly toward funding the college’s financial aid programs. I produced the video using footage from last year’s Mount David Society Luncheon and Scholarship Luncheon, as well as photography from Bates’ extensive Flickr archive. Edited not from my usual perch in Portland, Maine, but between Pucón, Melinka, and Isla Jechica, Chile during Fieldwork Pictures’ travels documenting the salmon farming industry in the Aysen region of Patagonia.
The second of the series is a video commemorating the career of Bates College president, Elaine Tuttle Hansen, who is leaving Bates after nine years at the helm of the college. The video was played at a series of events on campus and in New York honoring the President, and incorporates footage shot by Phyllis Graber Jensen, Bates College Communications’ Director of Photography and Video, and photos from the college’s extensive archives.
The final video commemorates the life and recent passing of the well known Bates College alumnus, Peter J. Gomes, minister at Harvard University’s Memorial Church, and known affectionately as, “Harvard’s pastor.” Here’s the video on the Bates College website.
An animation-based multimedia piece to introduce the new political website, yourlist.org. Produced by Willa Kammerer, with animation by Matt Patton of Gaucho Pictures.
A series of profiles about creative entrepreneurs in Portland, Maine for the website LiveWork Portland. Produced in collaboration with photographer Tonee Harbert.
As Multimedia Project Developer for NOAA’s Voices from the Fisheries project, I culled through NOAA’s large archive of audio and video interviews with fishermen, from Alaska to Alabama to Maine, that were recorded from the 1970s to the present by local organizations. Despite the differences in geography and time, there were many common themes within the interviews: a love of the sea and a solitary existence; the challenges of making a living fishing and the burden of tightening regulations; the craft behind the tools of the trade, including lobster traps, nets, and wooden boats. Based upon these observations, I developed themes to categorize the interviews: Life as a Fisherman, Challenges to Local Fishing Industries, Beyond the Boat, and Fishing Knowledge and Fishing Techniques. From the hundreds of interviews within the archive, I selected twenty to highlight that fit within the themes, and did what I could to improve the quality of the audio recordings, many of them recorded on tape and then digitized. The original interviews were over an hour long, and from that, I produced short, one to four-minute narrative-driven pieces; I chose to remove the interviewers’ questions in the pieces, so the listener only hears the voices of the fishermen and fisherwomen telling their stories. Upon completion of the editing, I consulted with NOAA’s web team and guided implementation of the multimedia on the website. We came up with a clean design that is easy to navigate, and that prioritizes listening to and watching the multimedia stories.